Music Releases 01-27-23
Following the global success of the unstoppable single “Unholy” featuring pop diva Kim Petras, Sam Smith will be releasing their fourth studio album, Gloria, on January 27, 2023. The 13-track record will be Sam’s boldest statement yet and comes off the back of an undeniable run of success with the lead single from the album.
Recorded and largely self-produced in Nashville with the help of close friend and engineer Jeremy Ferguson, Asking for a Ride finds the Louisville band taking a more direct and in-your-face approach, prioritizing the collection’s raw energy and its ability to translate live through ripping and nervy compositions. It’s White Reaper at their most exciting - dialing up the chrome-plated riffs and monster hooks – a welcome reminder of just how much fun rock music can be. “We ask ourselves: ‘Does it sound good when we play it in the room together?’ And if it does, those are the songs we want to pursue,” vocalist/guitarist Tony Esposito noted. Guitarist Hunter Thompson concurred: “We started to recognize how we operate best as a band.”
Tyler Hubbard will be releasing his debut solo album on January 27th. With 19 No. 1 singles on country radio, countless awards, and sold-out tours, Tyler Hubbard has already had a remarkable career as a songwriter and as one half of multi-platinum duo Florida Georgia Line. Now, Hubbard is embarking on a solo career with his debut solo album Tyler Hubbard. The 18-track album includes his hit single “5 Foot 9” and the songs “Dancin’ In The Country” and “Small Town Me”. The self-titled project was produced by Hubbard and Jordan Schmidt with Hubbard writing on all of the tracks. This Double LP will be special Cobalt Blue Vinyl.
In 2015, Dan Auerbach entered the studio with Leon Michels, Nick Movshon, Homer Steinweiss, and the late Richard Swift (who passed away in 2018) to record The Arcs' debut album Yours, Dreamily in a handful of freewheeling sessions over two weeks. Now, more than 7 years later, those same sessions became the bedrock on which the surviving members fleshed out the anticipated follow-up album, Electrophonic Chronic, a collection of psychedelic rock, gritty funk, and heady, soulful grooves.
Indie Exclusive Blue Edition, comes w/exclusive flexi disc ft. cover of Yeah Yeah Yeahs Maps
There’s a line on Honey, the latest album from Nashville-via-NYC songwriter Samia, about Aspen Grove, a collection of 40,000 trees in the plains of North America, all connected by a single expansive root system. There’s no stronger metaphor for the audience the 25-year-old empathy engine has been generating since she began releasing music seven years ago. Her songs, her fans, her friends: one enormous, interconnected ecosystem. Honey, comprised of eleven new moments of catharsis, is by and for that organism. Set for release on January 23rd 2023 via Grand Jury Music, the album was recorded at North Carolina studio Betty’s –- owned and operated by Sylvan Esso’s Nick Sandborn and Amelia Meath, frequent touring partners of Samia’s. It was produced by Caleb Wright, part of the team that helmed Samia’s breakthrough 2020 debut The Baby, and a founding member of one of Samia’s favorite bands, The Happy Children. It features some of her nearest and dearest friends: Christian Lee Hutson, Briston Maroney, Jake Luppen, Raffaella. Its songs were surreptitiously road tested for her devotees while opening for Lucy Dacus, Courtney Barnett, and more. The end result is what Samia calls simply “a real community record.”
SG Lewis’ second album, AudioLust & HigherLove, shows the songwriter, multi-instrumentalist and producer creating an expansive and ambitious record made of two halves: on one end of the spectrum, he crafts the kind of nocturnal bangers that dancefloors, underground raves, pool parties, and festivals subsist on. On the other end, he accesses a higher level of timeless pop ecstasy anchored by just the right amount of breezy, hook-laden rock, organic instrumentation, and vocal eloquence.
Elle King can do many things, ranging from exuberant alternative/punk to soul pop. She’s also been a compelling presence in country music; winning both Country Music Association and Academy of Country Music Awards and breaking the 30 year old, glass-ceiling record for women on the radio charts with the lead single “Drunk (And I Don’t Want To Go Home).” She’s collaborated with Dierks Bentley, Miranda Lambert, Ashley McBryde and been on tour with Chris Stapleton for the better part of 2022; it’s been an unbridled love fest with Nashville’s music community.
Now she makes it country music official with Come Get Your Wife, a dozen glorious tracks that run a gauntlet of styles and attitudes leaving King’s roots showing. Set for release on Jan. 27, the quadruple Grammy nominee co-produced the album with award winning songwriter Ross Copperman and the result is a collection that moves through all the topics. From being a hot mess, a glorious excess and a woman coming into her own, King has created a very real, small-town frayed at the edges but solid at core missal.
Elle King, singular, swaggering, sardonic, is a musically and personally fearless woman. With Come Get Your Wife, she sharpens her gaze, digs into her roots, puts her banjo front and center and creates a record that’s as alive and electric as she is. Taking all the pieces – the rock, soul, (blue)grass and country that she loves – she’s made an album that demands your attention, then delivers on all cylinders.
“There’s something about how you put the pieces together,” King offers of her first true country project. “This whole album is a crazy quilt of all sorts of moments and things that might not seem to go together, but because they’re me, they do. It’s very Southern Ohio, very who we are – and very much a lot of people who are just like me, because I know they’re out there.”
Vinyl: $99.98 Buy
CD: $139.98 Buy
The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series takes a fresh look at Time Out of Mind, Dylan's mid-career masterpiece, celebrating the album and its enduring impact 25 years after its original release on September 30, 1997. Fragments - Time Out of Mind Sessions (1996-1997): The Bootleg Series Vol.17 follows the evolution of songs written for the album, from intimate early incarnations in the previously unreleased 1996 Teatro sessions through incandescent live renditions showcasing Dylan and his touring ensemble channeling the songs on-stage from 1998-2001.
Disc one premieres 2022 mixes, by Michael H. Brauer, of the eleven original recordings on Time Out of Mind, sounding more like how the songs came across when the musicians originally played them in the room.
Discs two and three are comprised of rare outtakes and alternate versions of songs written for Time Out of Mind including four original Dylan compositions--"Dreamin' of You," "Red River Shore," "Mississippi" (later re-recorded for "Love & Theft" in 2001) and "Marchin' to the City"--not included on the canonical 1997 tracklist. A fifth unreleased performance, Dylan's interpretation of "The Water is Wide," a traditional folk song of Scottish origin (and spiritual precursor of "Highlands," Time Out of Mind's epic closer) opens Disc Two.
Disc four presents songs from Time Out of Mind in a series of spectacular live performances from 1998-2001. All tracks on disc four are previously unavailable with the exception of "Make You Feel My Love" (May 21, 1998, Los Angeles).
As a bonus for fans, disc five brings together studio recordings of the four Dylan songs omitted from the original Time Out of Mind track list as well as exemplary live performances of "Cold Irons Bound" and "Tryin' To Get To Heaven." The twelve tracks on disc five were previously available on The Bootleg Series Vol. 8: Tell Tale Signs.
Illiterate Light thrives on subverting expectations. Though just a duo, the Harrisonburg, Virginia-based singer-guitarist Jeff Gorman along with Nashville, Tennessee-based drummer Jake Cochran make surprisingly pummeling and thoughtful alternative rock. Since the band’s 2015 inception, they’ve intently focused on their unorthodox live show with Cochran standing behind his kit and Gorman playing synth bass with his foot as he sings and strums his guitar. Fiercely egalitarian and independent, the two not only split up songwriting duties and arrangement ideas, they even built bike-powered stages: bringing the fans into the live experience and envisioning a greener future for shows.
But with their latest album Sunburned, out January 27 via Thirty Tigers, Gorman and Cochran have turned their attention inward to their songwriting and studio craft. It’s their most fully-realized and ambitious LP yet, one that’s full of immediate songs that update and revolutionize the band’s approach to making music. There are rich keyboard and programmed percussion textures now populating their songs, as well as soaringly anthemic choruses, and hefty doses of fuzz. “On our first record, we were very live-focused and wanted to make sure whatever we were writing was translated in person,” says Gorman. “Without that crutch, we could be more adventurous and take more risks. We definitely weren’t timid in the studio.”
As their writing started, Gorman’s father died after a years-long battle with multiple system atrophy (MSA). While his grief was devastating and palpable, it also gave him clarity and newfound motivation. “These songs aren't about my dad dying but there’s been such a shift in my own life that my own writing took on a certain fearlessness,” says Gorman. “I saw the thin veil between life and death and I realized there's nothing to be afraid of anymore. I wanted to embrace the things I love and the weird things that'll come to us in life. My grief found its way into the record, sonically and emotionally, but not topically.”
The songs on Sunburned find their resonance in dichotomies, the connection between light and dark, life and death, and heaven and hell. Gorman and Cochran work best in contradictions, gray areas, and difficult questions that don’t have easy answers. On single “Fuck LA,” what looks like a kiss-off to a major city is actually an anthem for the homesick as Gorman sings, “Wherever you are / Fuck that place / And come back home.” Meanwhile, “Feb 1st” captures the other side of the coin: the desperation of being stir-crazy cooped up at home. Gorman snarls, “So take me somewhere I’m a stranger / Yeah take me back to Santa Fe / And show me faces unfamiliar / Yeah show me somebody like you.”
Sunburned is an album for searchers, the people who channel the darkest energy into something healing and positive. Even on songs like the adventurous and experimental “Hellraiser,” which takes on a menacing undertone in its lyrics, Illiterate Light presents it in a way that’s universal and inviting. “This record was all about chasing a gut feeling and going for songs that had more depth and darkness and pain,” says Gorman. “We'd rather share what we're really going through and let that come out.”
30th Anniversary Edition of the Cure’s best-selling, Grammy-nominated album ‘WISH.’ Newly remastered by Robert Smith and Miles Showell at Abbey Road Studios. Featuring the hit singles “High,” “Friday I’m In Love,” and “A Letter To Elise”
Featuring four instrumentals taken from the 'Wish' sessions, recorded at the Manor Winter 1991. Strictly Limited to 3500 copies worldwide.
MP3 Album: $11.99 Download
Let Go celebrates 20 years as one of the most influential pop punk albums of the early 2000’s. Originally released in June of 2002, Let Go became an instant sensation with hits such as “Complicated,” and “Sk8ter Boi” dominating the charts and airwaves. Certified 7X Platinum, the album has cemented its lasting legacy in the pop punk world and beyond. To commemorate its 20th anniversary, an expanded edition of the original album will be released featuring 6 bonus tracks, including a brand-new recording of “Breakaway” by Avril, reimagined 20 years later.
RIAA multi-platinum certified global pop sensation Ava Max is celebrating her newest single “Maybe You’re The Problem”. Along with delivering the debut national television performance of her upbeat and confident new single, Ava gave the exclusive announcement that her sophomore album, DIAMONDS AND DANCEFLOORS, is coming October 14thThe announcement comes hot on the heels of the recent RIAA Platinum certification of her debut album HEAVEN & HELL, featuring smash hits such as the newly 4x Platinum “Sweet but Psycho,” 2x Platinum “Kings & Queens,” and Platinum “My Head & My Heart.” “Maybe You’re The Problem” offers the first preview of Ava’s fiercely personal upcoming album and is available now.
Vinyl: $124.98 Buy
Nimrod, Green Day’s fifth studio album, was originally released on October 14 1997. The Billboard Top 10 LP declared “Green Days best!” by Kerrang was driven by the hit singles “Hitchin’ A Ride”, “Redundant”, “Nice Guys Finish Last” and “Good Riddance (Time of Your Life)” the latter of which has sold 5 million copies in the US alone. The song was written as a spiteful ballad and has evolved into the soundtrack of everyone’s seminal life moments; even being featured in the Seinfeld series finale. The album has sold over 3 million copies in the US (triple platinum) and has been certified multi-platinum, platinum, or gold in several other countries, including the UK, Japan, Canada, Australia and Spain.
This 25th Anniversary Edition includes the original album, one disc of previously unreleased Nimrod demos, and a live set from Philadelphia recorded one month after Nimrod was released.
The 14 track demos disc includes two unreleased Green Day tracks (“You Irritate Me” and “Tre Polka”), plus a cover of the classic Elvis Costello song “Allison” (previously unreleased).
The live album was recorded at The Electric Factory in Philadelphia on November 14 1997. The 20-song set includes several songs from Nimrod, plus fan favorites from their previous albums and singles.
Elvis On Tour is a 6 CD and 1 Blu-ray box set comprised of the audio from four of the shows (and two rehearsals) that were part of Elvis’ 1972 North American tour. Originally recorded for the Elvis On Tour concert film that was released later that year, the set features a total of 145 tracks, including 91 tracks that have been previously unreleased, all packaged with a 32-page booklet that includes rare photos, new historical essays and more. Also included is a Blu-ray disc containing the full Elvis on Tour concert film from 1972.
With One Day, Fucked Up have delivered one of the most energizing and intricate albums of their career, a massive-sounding record that arrives in deceptively small confines. The Canadian hardcore legends have been known for their epic scale in the past, so it might be a surprise that Fucked Up’s sixth studio album is their shortest to date, written and recorded in the confines of one literal day (hence the title). Don’t mistake size for substance, though: The band’s sound has only gotten bigger, more hard-charging, with even denser thickets of melody.
“I wanted to see what I could record in literally one day.” That singular idea came to mind for guitarist Mike Haliechuk in the closing months of 2019. Haliechuk got himself into a studio and proceeded to write and record the record’s ten tracks over three eight-hour sessions, reconnecting with the core the band’s songwriting essence in the process.
Initially, Fucked Up vocalist Damian Abraham was also set to complete his vocals in similar fashion—that is, before the lockdowns of 2020 took place. As it turns out, the isolation yielded creative dividends, as Abraham returned to contributing lyrics as well for the first time since 2014’s Glass Boys. “It almost felt like it might be the last time I’d ever get to record vocals for anything,” Abraham says of the stakes he felt while putting his part to tape, before reflecting on how he approached the lyrical process: “What do I want to say to friends who aren’t here anymore? What do I want to say to myself?”
Over swarms of tuneful noise that evoke Sonic Youth circa Daydream Nation, Abraham lets loose on gentrification in “Lords of Kensington,” which was inspired by an “incredible” Toronto neighborhood that was regularly subject to life-ruining police surveillance and structural violence. “The police chief during that era—he just opened a cannabis store,” Abraham explains. “It’s so cynical and gross, what society has come to—but by being in a band, we’re culpable in changing the neighborhood, too, since the punk spaces and cool happenings that pop up are part of gentrification. Are you building a culture? Or are you ruining something that’s already been there?”
Then there’s the dusky burn of “Cicada,” a sonic cousin to Dose Your Dreams’ excellent standout “The One I Want Will Come for Me” that features Haliechuk taking lead-vocal duty. The song is dedicated to lost friends, and in his words, it’s about “what life is like after you lose people, and our responsibility to carry them forward into the future, using the things they taught us as a light. I like to imagine the sound of cicadas as a metaphor for our strange life in the subculture—we all just live these weird little hidden lives under the dirt, and then once in a generation, one of us gets to bust out of the dirt and intone their song so loud that it can be heard all over.”
One Day is an undeniable work of confidence from a band that continues to operate at the top of their game, making music that’s guaranteed to last a lifetime and beyond.