T-Bones Records and Cafe

On their new full-length - the first new music since The Waterfall (2015) - My Morning Jacket reaffirm the rarefied magic that has made them so beloved, embedding each song with moments of discovery, revelation and ecstatic catharsis. It comes after a near permanent hiatus for the band until performing four shows in summer '19 left them with a new energy. Jim James engineered/produced at 64 Sound in LA where the band spent weeks in intentional seclusion emerging with their self-titled 9th album.

Tattoo You celebrates 40 years with the release of a brand new Super Deluxe 5 LP Boxset which includes the newly remastered version of Tattoo You, Lost & Found: Rarities, and Still Life: Wembley Stadium 1982. Also included is a 124-page book featuring over 200 rare photos from recording sessions and their world tour, plus interviews with producer Chris Kimsey and photographer Hubert Kretzscmar. The package includes a special lenticular sleeve.

Critically acclaimed soundtrack to Bo Burnham's Netflix musical comedy special INSIDE.� Double vinyl LP features all the music from INSIDE, including �All Eyes On Me�, �Welcome To The Internet� and �Bezos I�.� Shot and performed by Bo Burnham, alone, over the course of a very unusual year. Nominated for 6 Emmys including best variety series, writing, directing, song, musical direction, and editing. Standard weight black vinyl in gatefold packaging.

"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening."Albert Goldman "A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original." Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out. Bill Brewster

1 LP mystery color vinyl (collect all three � Ruby Red, Sea Glass or Neon Yellow). Kacey Musgrave�s latest album, star-crossed, is a bold, empowering, and personal series of songs that displays 6x GRAMMY Award winner�s growth as one of the finest singer/songwriters of our time. It�s the follow-up to Golden Hour, which earned Kacey her 3rd #1 Billboard Country Album and distinguished her as only the third artist to win Album Of The Year at the GRAMMY Awards, CMA Awards, and ACM Awards.

The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series shines fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapters in his studio catalog. Bob Dylan - Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan's classic albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.

In his liner notes for Bob Dylan - Springtime In New York, Damien Love writes, "And that's the real story of this gloriously untrammeled collection. The songs. The songs stripped free of trappings, tampering, passing tastes, and judgements. The songs broken down to the sound of people really doing this, right now, acting on instinct. The songs rough and rowdy, bruised and tender, joking and crying, nagging and striving and yearning. The songs were always there, and here they are still, keeping pace with us."

Halsey�s fourth studio album If I Can�t Have Love, I Want Power is a career-defining body of work. Produced By Trent Reznor And Atticus Ross, the album is a bold concept record that pushes creative boundaries. Halsey has surpassed 60 million RIAA-certified units across albums, singles and features. Worldwide, she has sold over 150 million adjusted singles. If I Can�t Have Love, I Want Power follows Manic, which debuted at No. 1 on Billboard�s Top Current Albums chart.

One of the top emerging artists across all genres of music, Billy Strings has made his most ambitious album to date with Renewal, a 16-song collection that effortlessly positions him as a singular talent�one who reveres the history of the acoustic music that inspired him, while pushing it forward into new spaces and audiences through his incredible live shows.

Serving as a reflection of Strings� diverse musical influences, Renewal reaches well beyond bluegrass with elements of heavy metal, jam bands, psychedelic music and classic rock�even though it�s still primarily an acoustic record. The album follows his Grammy Award-winning project, Home, as well as industry recognition ranging from Pollstar�s Breakthrough Artist of the Pandemic to the International Bluegrass Music Association�s Guitar Player of the Year and New Artist of the Year.

�I�ve learned, you�ve just got to let the song do its thing,� shares Strings. �So that�s what I try to do�write songs and let them come out however they do.�

In James McMurtry�s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (�Canola Fields�) and endless energy (�If It Don�t Bleed�). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection (�Vaquero�) and revelation (closer �Blackberry Winter�). Familiar foundations guide the journey. �There�s a definite Los Angeles vibe to this record,� McMurtry says. �The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don�t know how he got in there. He never signed on for work for hire.�

The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb� Mo�) at Jackson Browne�s Groovemaster�s in Santa Monica, California. Hogarth recorded McMurtry�s first two albums, Too Long in the Wasteland and Candyland and later mixed McMurtry�s first self-produced album, Saint Mary of the Woods. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.

The War On Drugs announce I Don�t Live Here Anymore, their first studio album in four years, out October 29th on Atlantic Records. Over the last 15 years, The War on Drugs have steadily emerged as one of this century�s great rock and roll synthesists, removing the gaps between the underground and the mainstream, making records that wrestle a fractured past into a unified and engrossing present.

Just a month after A Deeper Understanding received the 2018 Grammy for Best Rock Album, the band retreated to upstate New York to jam and cut new demos. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock�s greatest sonic workshops like Electric Lady in New York and Los Angeles� Sound City.

The War On Drugs� 2022 tour takes the band to some of the largest venues they�ve ever played, including their first headlining show at MadisonSquare Garden, as well as Los Angeles� Shrine Auditorium, the Bill Graham Civic Center in San Francisco, the Ryman Auditorium in Nashville, two nights at the Chicago Theatre, Philadelphia�s Metropolitan, the House of Blues in Boston, and beyond.

Focusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of being alive, to turn the duality of existence into hymns we can share, Low present HEY WHAT. These ten pieces�each built around their own instantaneous, undeniable hook�are turbocharged by the vivid textures that surround them. The ineable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered. There will be time to unravel and attribute meaning to the music and art of these times, but the creative moment looks FORWARD, with teeth. HEY WHAT is Low's thirteenth full-length release in twenty-seven years, and their third with producer BJ Burton.